If you have questions about copyediting in general, or my process in particular, I’ll be happy to trade emails with you or have a telephone chat, free of charge, no matter where you are in your project’s progress. If, however, you’re fairly certain you’re ready to forge ahead with a copyedit, or at least find out if my copyediting style is a good fit for you, here’s how it works.
Step One: Getting Started
First, congratulations! A manuscript that’s ready for copyediting has already been through several drafts, meaning you’ve already come farther and put in more work than most of those writer wannabes. Well done, you! If it’s a book manuscript, in most cases it has also already been read by a writing coach, a developmental (story) editor, beta readers, and/or members of a critique group or workshop.
In other words, whether your manuscript is fiction or non-fiction, and whether it’s a book or a short story or a blog post, you’ve worked out all the kinks at the story level, and you’re now ready to make sure that the manuscript isn’t hiding any typos, stumbling sentences, and conflicting information (is the house on Maple Street or Ash Street?) from your review-weary eyes. You have done all the heavy lifting, and you’re ready for a copy editor to clear away any remaining issues that could distract your readers away from the mesmerizing spell you have woven.
To get started on the next step, contact me, either by email at email@example.com or by phone at 619-892-4963, tell me that you have a manuscript to be copyedited, and tell me a little bit about it. I’ll let you know how soon I can review your manuscript and prepare a proposal. That review can usually happen within one to three days of my receipt of your manuscript, but my schedule is ever-changing. If the timetable I give you sounds tolerable, I’ll ask you to send me your manuscript as an email attachment. Please note that I only edit in Word, although the version of Word doesn’t matter much. I do not currently charge a fee for my review and proposal.
Step Two: My Review and Proposal
If your manuscript is for a book, I’ll briefly review the first few chapters and a chapter chosen randomly from the middle; if it’s a short story or blog manuscript, I’ll briefly review the entire work. Either way, my proposal email will be based on that review. In the proposal, I’ll identify any issues I’ve found, using a few of your manuscript’s sentences or paragraphs as examples. In most cases, I’ll show you how I would handle my suggested edits at the light, medium, and heavy level of copyediting. The proposal will outline what would be included or excluded at each level, my per-word charge for each level, and my anticipated completion date for each level.
Step Three: Your Decision
You review my proposal, and in particular, my proposed edits at the different levels, and you decide if my copyediting style is comfortable for you. If it is, and you’d like me to copyedit your manuscript, you can decide which level of copyediting will be best for you and your work.
It’s possible that you could read my review and decide that you can make many of the edits yourself. That’s great! I would love it if you went off to do that and then came back to me for another review and proposal. If I explained the issues well enough to you and you are successful in executing the corrections, my new proposal might be at a lower rate, or might only include the lightest level of editing. Yay, you!
If, however, you cannot imagine, or do not want to be, making yet another review of your manuscript on your own, just let me know which editing level you have chosen, and I’ll write up a copyediting agreement.
Step Four: Our Agreement
Once you’ve told me you’d like to proceed and at what level, I’ll email you the copyediting agreement, which will include the scope of the project, the fee, and the anticipated completion date. If you’re in agreement with everything, you may either print it out, sign it, and mail it to me, or sign it and scan the signature page and email the scan to me, or simply email me that you agree with all the terms.
If for whatever reason you determine that you’re not ready to proceed, that’s no problem; just let me know. I usually include language in the agreement that indicates an expiration date for acceptance, but that’s simply to protect me from someone coming back to me in fifteen years and asking for the same rate. It might remain the same, but it might not!
Step Five: The Copyedit
Once I get started on your copyedit, I’ll be marking your manuscript using Word’s Track Changes and Comments. If you’re not familiar with that, there are several great explanations on the internet, including this one on YouTube: https://www.youtube.com/watch?v=m7tmsWN6uH0. Using Track Changes means that all of my edits will be “suggested” edits, which you can accept or reject. You decide which of my suggested edits should be incorporated, with the click of a button. It’s really cool.
As I edit, I’ll be preparing a style sheet for my own reference. A style sheet is a document that lists all the editorial choices made by you the author, as evidenced by their existence in the manuscript, and any changes to those choices that I suggest in my edits. The editorial choices include such matters as punctuation, format, and abbreviations. The style sheet also includes the spelling of all names and unusual words, and in the case of fiction or creative nonfiction manuscripts, it can include descriptions of the characters and their relationships to each other. It’s a very helpful resource, used to ensure consistency (and decrease distractions for your readers) throughout the manuscript.
Depending on the level of copyediting you chose, I’ll send a copy of the style sheet to you when I send you the completed edit.
Step Six: Your Review of the Edits
Once I complete the edit, I’ll send it to you as an email attachment. Before you open that attachment, however, I strongly recommend that you carefully read the email that accompanies it. That email will include a summary of the most frequently occurring edits and explanations of any grammar and usage changes I suggested. Reading that email will make your review of the suggested edits go much more quickly, because you’ll recognize the suggestions and understand the reasoning behind them.
I also suggest you make sure that Track Changes are turned on once you begin your review of the edits. If you decide to do a bit of rewriting, you may want me to do a “cleanup” or second edit after you’re done. I usually charge hourly for that subsequent editing, depending on how many changes you’ve introduced. As I did for the first edit, I’ll review the revised manuscript you send to me and I’ll give you an estimated fee based on what I see. It will be a much quicker (and therefore less expensive) second edit if I can see the changes you’ve made, and that’s why it’s best for you to have Track Changes engaged while you revise.
You’ll receive my invoice a day or so after I’ve sent the copyedit to you. The invoice will arrive via PayPal, and you can choose to pay by credit card (you don’t need a PayPal account to do so) by clicking the link on the invoice, or you can pay by sending a check to me at the address indicated on the invoice. Payment is due when I issue the invoice.
And that’s it! Please don’t hesitate to email me with any questions you may have about the process at firstname.lastname@example.org.